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by Ronnie Pudding

Weekend Box Office Recap: HANGOVER, er UP, er HANGOVER dominates weekend B.O.

the-hangover-01

Did Warner Bros. hire Carl Rove to sway the outcome of this weekend’s box office in their favor? Because last night the trades were reporting that UP grabbed the weekend’s number one spot with $ 44 million. However a different tune was sung today, with the Todd Phillips’ emotionally-stunted-male comedy The Hangover wearing the Weekend Box Office’s ruby-encrusted tiara, having bested the aforementioned Pixar flick by a cool mil.

Regardless, it was a good weekend for The Hollywood, what with two films north of the $40 million mark… hookers and blow for everyone! Everyone that is except Will Ferrell, whose Land of the Lost pulled in “only” $19 million – meager winnings for the once reigning king of emotionally-stunted manboy comedies. Still, there is a lesson to be learned here, and NO that lesson is not that Will Ferrell’s done like trucker hats and should be shuffled off to Jim Carrey’s Island of Comedy Wash Ups. But for you studio execs currently going over your development slates and realizing that it consists almost entirely or remakes, reboots, and adaptations it’s a lesson learned hard like “don’t drop the soap” on your first day of prison. Said lesson being, as I’ve only told y’all a gabazillion times, that just because you happen to have cherished memories of some TV show or cartoon or board game from your bed-wetting days DOESN’T mean turning said childhood memories into a $200 million feature film will result in anything but a career-ruining disaster. Nostalgia’s wonderful for staving off more painful ghosts from our past. Dad might’ve been a degenerate gambler, mom a philandering pill-head and Uncle Jerry might’ve touched us one too many times in the no-no place, but that’s okay because The Thundercats were go! and that made it all better, right? And that might’ve got you through Jr. High without going Columbine just fine, but now that you’re all growed up, stuffing those memories into a Thundercats lunch box is only gonna cost you your career, dipshit. So wise up.

Was The Hangover ever a comic book? A board game? An action figure equipped with kung-fu grip? Don’t think so. I also don’t recall there ever being an UP videogame or breakfast cereal. Yet these films managed to WIN BIG where your “branded” property failed. Why? Because the people – REAL people, not your fart-sniffing faux-liberal Hollywood friends — want FRESH and NEW. They don’t want the same old turds ground up and peppered with MSG then rammed down their throats, like you ASSUME they do because when you see ‘em driving in their Ford pick-ups on your way to Wine Country your self-important smugness informs you that these idiots will swallow anything you feed them. I mean look at them! Did those clothes come from Wal-Mart? And is that a “Support Our Troops” yellow ribbon I see? What rubes! I bet they even voted for John McCain!

Yeah, well those McCain-voting pick-up truck drivers are the ones lining your coffers, The Hollywood. And just because they don’t own hybrids or buy their organic kale at Whole Foods doesn’t mean they’ll eat any shit sandwich you’re selling just because it comes in a familiar wrapper. So next time some icky writer, producer or director comes to you with an original idea stop trying to figure out how to tie it to an existing intellectual property – especially if that property is fucking Bazooka Joe (the bubblegum wrapper comic strip that has the distinction of making Fred Basset funny by comparison). Take a chance. Try being innovative. The “creative” before the word “executive” on your business card wasn’t ALWAYS intended to be ironic, ya know.

Of course if you do take my advice I’ll have nothing left to write about. Which means I’ll have to re-direct all this pent up hostility somehow, like by maybe taking my old sniper rifle down to Third Street Promenade and taking random pop-shots at street mimes. But are mimes really worth their weight in shitty movies? I don’t think so.

Speaking of Bazooka Joe, here’s some leaked footage from the upcoming feature adaptation. Perhaps I was too quick to judge? Because this actually looks pretty bad-ass.

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by D B

‘Paul Blart: Mall Cop’ is a blockbuster at the box-office – WTF?

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Its true, the world has tipped its axis and we are living in a parrallel universe. A universe in which a black man can be president of the United States and a TV actor like Kevin James can star in a film entitled “Paul Blart: Mall Cop” and finish at #1 for Sony for 2 weeks in a row.

The film which earned $21.6 million in its second week has a 10 day total of $65 million.

This is clearly insane.

I pray for all of you.

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by D B

‘Tropic Thunder’ Opens to $26 million in 3 days and $37 million thus far – will it be a hit?

Tom Cruise in “Tropic Thunder”
 Tom Cruise, one of Ben Stiller’s favorite people to make fun of, makes fun of himself in “Tropic Thunder


Ben Stiller spent a pretty penny on action comedy “Tropic Thunder” with budget estimates at around $90 million dollars.
That means that the “action” quotient for the comedy film that co-stars Robert Downey Jr., Jack Black and a host of others needed to hit hard with audiences in order to justify the budget cost.When comparing to another action-comedy like “Pineapple Express” that cost about $28 million (and has grossed $63 million dollars in over 2 weeks of release), “Tropic Thunder” is far more action-friendly and after viewing it, I can assure you there are more laughs. So when looking at stoner film “Pineapple Express” and the $23 million it opened to and comparing it to “Tropic Thunder“’s tally of $26 million this weekend, the numbers can be misleading and to some dissapointing.

Tropic Thunder” opened on a Wednesday however and grossed a total of $37 million in the first 5 days, also the key with this film will be “word-of-mouth” which for “Pineapple Express” has been good, but not great.

Tropic Thunder” hits so many nerves – bad and good – that it is likely that there will be strong mid-week and 2nd weekend numbers for the film. Also, surprise cameos that are in the film and were heavily gaurded secrets before the film’s release are now leaking onto the inter-web and therefore we see these added cast-members being known as additional ammo to sell the film to American moviegoers.

Ultimately, a film like “Tropic Thunder” can open at $26 million and perform anywhere from three to five times its opening number. Five times its opening would surpass $130 million and would not surprise me, although such a great opening weekend multiplier is rare, for a film with this many talking points at the end of summer, it is plausible.

In other box office news, it was a good weekend for the 2nd largest grossing film in domestic box office history – “The Dark Knight” which raised its domestic total by $16 million to $471.1 million surpassing “Star Wars” and finding its place behind “Titanic” at $601 million. (”Titanic” will remain the #1 film in box office history for the time-being.)


1. “Tropic Thunder,” Paramount, $25,812,796, 3,319 locations, $7,777 average, $36,845,588, one week.

2. “The Dark Knight,” Warner Bros., $16,379,293, 3,590 locations, $4,562 average, $471,082,150, five weeks.

3. “Star Wars: The Clone Wars,” Warner Bros., $14,611,273, 3,452 locations, $4,233 average, $14,611,273, one week.

4. “Mirrors,” Fox, $11,161,074, 2,664 locations, $4,190 average, $11,161,074, one week.

5. “Pineapple Express,” Sony, $9,808,295, 3,072 locations, $3,193 average, $62,740,789, two weeks.

6. “The Mummy: Tomb of the Dragon Emperor,” Universal, $8,205,720, 3,363 locations, $2,440 average, $86,245,775, three weeks.

7. “Mamma Mia!”, Universal, $6,096,250, 2,771 locations, $2,200 average, $116,013,715, five weeks.

8. “The Sisterhood of the Traveling Pants 2,” Warner Bros., $5,785,250, 2,714 locations, $2,132 average, $32,002,712, two weeks.

9. “Step Brothers,” Sony, $4,807,904, 2,648 locations, $1,816 average, $90,695,938, four weeks.

10. “Vicky Cristina Barcelona,” MGM, $3,755,575, 692 locations, $5,427 average, $3,755,575, one week.

11. “Journey to the Center of the Earth,” Warner Bros., $3,348,341, 1,405 locations, $2,383 average, $88,002,999, six weeks.

12. “Fly Me to the Moon,” Summit, $1,900,523, 452 locations, $4,205 average, $1,900,523, one week.

13. “WALL-E,” Disney, $1,836,332, 1,403 locations, $1,309 average, $214,129,943, eight weeks.

14. “Hancock,” Sony, $1,720,241, 1,277 locations, $1,347 average, $225,022,587, seven weeks.

15. “Swing Vote,” Disney, $1,137,385, 1,281 locations, $888 average, $14,687,549, three weeks.

16. “Henry Poole Is Here,” Overture Films, $805,219, 527 locations, $1,528 average, $805,219, one week.

17. “Space Chimps,” Fox, $775,152, 768 locations, $1,009 average, $27,568,802, five weeks.

18. “Brideshead Revisited,” Miramax, $740,030, 501 locations, $1,477 average, $4,650,150, four weeks.

19. “Hellboy II: The Golden Army,” Universal, $541,150, 481 locations, $1,125 average, $74,616,780, six weeks.

20. “Bottle Shock,” Freestyle Releasing, $392,440, 117 locations, $3,354 average, $837,155, two weeks.

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by admin

Friday Estimates + Updated 3 Day Forecasts (January 4-6,2008)

FRIDAY ESTIMATES

1 National Treasure 2: Book of Secrets Disney $6.375M
2 Juno Fox Searchlight $5.21M
3 I Am Legend Warner Bros. $5.2M
4 One Missed Call Warner Bros. $5.2M
5 Alvin & The Chipmunks New Regency/Fox $4.635M
6 P.S. I Love You Warner Bros. $2.65M
7 Charlie Wilson’s War Universal $2.55M
8 The Water Horse: Legend of the Deep Sony $1.875M
9 Sweeney Todd Paramount/DreamWorks $1.75M
10 Atonement Focus $1.49M
11 Alien Vs. Predator – Requeim Fox $1.385M

REVISED WEEKEND ESTIMATES (Saturday Update)

1 National Treasure 2: Book of Secrets Disney $18.9M
2 Alvin & The Chipmunks New Regency/Fox $16M
3 Juno Fox Searchlight $15.4M
4 I Am Legend Warner Bros. $14.9M
5 One Missed Call Warner Bros. $13.5M

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